Book a Couples Photoshoot
in Honfleur

Most couples sessions last 60 to 90 minutes, enough time to visit 2-3 locations and capture a wide variety of natural, relaxed moments together. In Paris you might start at the Trocadéro with the Eiffel Tower behind you, cross the Pont de Bir-Hakeim and finish in the quiet lanes of Montmartre; on the Riviera your photographer will route you through Èze's stone passages before the tour groups arrive. Longer 2-hour sessions are perfect if you want to explore more. Book with Photo France and we'll match you with the ideal photographer for your style.

The golden rule is to coordinate without matching — complementary colors and classic styles that reflect your personality. Solid, muted tones (cream, navy, sage, terracotta) photograph beautifully against Paris' limestone façades, Provence's ochre villages and the Riviera's blue. Avoid busy patterns, large logos and neon colors. Comfortable shoes matter: Montmartre's cobbles are steep, Èze is all stairs, and lavender fields are dusty. Bring a second outfit for variety on longer sessions, and a light layer for breezy evenings on the coast or by the lakes. Your Photo France photographer will send a personalized style guide for your location, season and time of day.

Golden hour — shortly after sunrise or before sunset — gives the most flattering, warm, romantic light. In France, sunset ranges from around 5pm in winter to almost 10pm in summer, so plan accordingly. Sunset sessions on the Seine or above the Mediterranean at Èze are legendary, but they're also the busiest hours; sunrise shoots give you the Trocadéro, the Louvre courtyard or Annecy's old town nearly to yourselves. Midday works too in shaded old-town lanes, but the strong southern summer sun needs an experienced photographer. Your Photo France photographer will recommend the ideal timing for your location and season.

Professional photoshoots in Honfleur start from €310. Packages vary by duration and the number of edited photos — from an hour around the Vieux Bassin to a longer session that crosses to Deauville for Les Planches and the beach huts.

The Quai Sainte-Catherine side of the Vieux Bassin, where tall slate-fronted houses double in still water; the stone Lieutenance gate at the harbour mouth; the wooden church of Sainte-Catherine with its belfry standing separately across the square; Rue Haute and the galleries behind; and the Côte de Grâce above the town for the estuary and the Pont de Normandie. In Deauville: Les Planches, with parasols in rows and beach cabins named after film stars, and the wide sand at low tide.

Early morning, before the terraces around the Vieux Bassin put out their chairs and while the water is still enough to hold the reflection. The Normandy light is soft and silvery and changes every twenty minutes, which is exactly why the Impressionists worked here — overcast is an asset, not a problem. At Deauville, late afternoon is the hour: the sun comes in low along the boards and rakes the parasols. And the tide matters: at low water the beach turns into a mirror and empties of everything else.